Alex Izaguirre/FUSION

I don’t remember a time when I didn’t have fantasies about being dominated. I would imagine someone gripping my hair tightly or a stinging slap on my ass—all very exciting. But every time I would let my thoughts run wild, they would get rudely interrupted, like an angry grandmother unplugging the cord while you’re sneakily watching TV after 2 a.m., yelling “Turn this OFF!” As soon as my brain camera spanned to any props—whips, chains, that sort of thing—all I could think about was Roots.

Let me tell you something. Nothing dries you up quicker than Roots. If it’s not Roots, it’s Amistad, or Beloved, or the slave-revolt TV show Underground. Anyone who’s seen a slave movie knows that there are plenty of examples of black slaves having to whip other slaves’ backs, so a whip is a whip to me, no matter who’s holding it. Even if my fantasy involves no props and just a little garden-variety submission, Hollywood’s love of nostalgic “Remember When Negroes Were All Our Servants?” movies gives my brain enough ammo to cockblock my heart’s deepest desires.

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It’s not just Hollywood that makes it difficult for me to SWB (Sub While Black). Even the present-day black experience in America can get in the way of exploring different types of sexual “play.” Can you imagine what a black person might picture if her partner wants to roleplay as a cop? The growing list of victims—Eric Garner, Sandra Bland, Michael Brown, just to name a few—is a constant reminder that as a black person in America, you are never safe. Which is a hard thing to balance when the very thrill of BDSM plays with our notions of safety.

My first impression of the BDSM scene was that it was overwhelmingly white—like, really white, as white as a Rascal Flatts concert at a country club in Montana. Even the watered-down pop franchise, 50 Shades of Grey, has to be one of the whitest franchises ever. BDSM has been around for centuries, originating with the writings of Marquis de Sade in the 1700s. There have been historical examples of BDSM in African sexual, spiritual, and religious culture and early black leather culture of “The Old Guard”—returning black gay male veterans of World War II. But black people into BDSM were rarely seen in the media until the early 1970s.

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Regardless of their environment, people of color constantly have to navigate stereotypes, discrimination, and personal prejudices, and BDSM is no exception. Just being a young, black woman who owns her sexuality yields enough social stigma as it is. Throw in a desire to explore BDSM in a culture where freely enjoying sex is already taboo, and that is quite the mountain to climb.

But my fantasies weren’t going away anytime soon. Like the strong black people of all those tear-jerking slavery movies, my sexual appetite will not go down without a fight! So I began to ask myself: How does one be black and get into BDSM at the same time?

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When I first started having sex in college, I was determined to explore all my sexual fantasies, a la my personal hero, Samantha Jones of “Sex in the City.” But life at a historically black college in the South doesn’t exactly lend itself to the sexual freedom of a fictional, upper-middle class, white publicist in New York. The thick stew of the Bible Belt and racial oppression created pressure to be a Good, Christian, Black Woman. In other words: Don’t be a ‘ho.

l took baby steps in exploring my proclivities. I would whisper a few encouraging words like “Bite me harder” and “Tell me what you want me to do,” only to be met with “Wow, you’re so kinky!” (Really?) I wanted to go further, but I didn’t know how to dive deeper when my partners didn’t seem game at all. I bought handcuffs and shackles, but they ended up collecting dust in the corner. There were online resources at my fingertips—chat rooms, websites, books, articles—but the jargon intimidated me.

So I let go of my dreams of exploring my deeper BDSM fantasies until years later, when I packed my bags and moved to California.

In San Francisco, people proudly let their “freak flag” fly. There are tons of communities that explore BDSM, from dungeons to classes to meetup groups. I fell in love with exploring the different scenes of the Bay’s sexual subcultures and even created Live Sex, an interactive comedy talk show uniting sexperts and comedians.

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It was doing this show that I stumbled upon a man who seemed promising in helping me explore my BDSM fantasies. The anonymity of my partners is important, so let’s just call him Ted Cruz.

Ted, a handsome and slightly dorky white guy with Paul Rudd-esque appeal, caught my attention after one Live Sex show. A history teacher, he piqued my interests immediately by flirtatiously debating the best ways to solve Middle Eastern conflict, the refugee crisis and the importance of critical thinking in schools. Check, please!

Our night of drinks led to an invite to his house. He was a great kisser. He really took his time. He asked me if there was anything I wanted to do, and I told him I had the desire to explore a kinkier side but never quite found the right opportunity or partner. He nodded. It escalated.

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“Your safe word is eggplant,” he told me, pulling my hair as he kissed me. “Say ‘eggplant’ if anything gives you too much pain.” It was clear it was about to go down, full-on 50 Shades of Grey style, minus all the money, so it was more like 50 Shades of Broke but hey, I’ll take it!

He was incredibly communicative, consistently checking in about consent. “This guy’s read a book or three!” I thought, high-fiving myself in my head. I was writing my triumphant journal entry as it happened. I pictured Kim Cattrall’s nodding smile of approval: “You’re the new Samantha Jones now, Luna,” she proclaimed.

Then, everything came to a screeching halt with one simple phrase:

“Call me master.”

Eggplant. That hurt. Immediately, all I could think about was my ancestors rolling over in their graves, breaking out like the zombies in Michael Jackson’s Thriller video. All my worst fears had come alive. I thought of Harriet Tubman admonishing me: “19 times! 19 times I came back, to save our people from slavery. All for you to be here willy-nilly, calling some white dude ‘master’?”

Life tip: No dick is so good that it’s worth being haunted by Harriet Tubman.

Ted was very receptive to my objections and apologized for his major blindspot. The history of slavery was something he was not reminded of every day so he was able to separate “master” in the context of BDSM play, whereas I…was not. I had failed again, even with a seemingly perfect partner.

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I decided to investigate this problem further. First I discovered I was not alone in my anxieties.

“I am interested in going to BDSM meets, but I haven’t, mostly because I’m wary of being the only person of color there,” said Lynn, a young black woman I met in a sex-positive Meetup group. “Also, I’m not interested in being hit on because I’m the only black woman, which has definitely happened to me before.”

I can relate. Half of my stand-up material is derived from my experiences being fetishized. Joking about being told, “I want to look at those big black tittays” or the constant prodding of my hair has always been one of the best ways to cope.

And because of these experiences, I always hesitated to join kink mixers in real life because I assumed a bunch of white people would be hoping I’d come in and “Strong Angry Black Woman” them—i.e. play out their racists stereotypes of what they imagine a black woman to be. Lynn suggested I explore Fet Life, a social network for the BDSM, fetish, and kink community. It was a space she felt comfortable in, but even there, space had to be made for folks of color.

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“When I first joined in 2010, there were over 300 groups, at least, and there were no groups for folks of color,” said Daniel*, a black BDSM enthusiast who is quite the character. He quickly remedied that by becoming the leader of one of the largest groups for blacks on the site, Black Dominants/Tops and Black Submissives/Bottoms. The members offer each other support while navigating kink; he told me about one woman who reached out to the community after coming across a picaninny fetish.

For anyone confused, a picaninny is a racialized caricature (think blackface) that depicted dark-skinned cartoon children with bulging eyes and grins. It’s an image that painfully captures our history of racism. The idea of someone doing sex play around this was incredibly disturbing to me.

“We have this saying in the black kink community—my kink ain’t your kink,” said Feminista Jones, sex-positive feminist writer, community activist, and author of the book Push the Button. “There is something called race play, and it ain’t for everyone, and it’s not for me.”

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Jones told me about an interview she did with writer and race-play expert Mollena Williams, an authority on race play who says that engaging in this kind of play may be empowering but always should be done with caution and consideration. (You can listen to her talk about a particular experience with race play in the Risk Podcast, Slave.) That’s all well and good, but I realized that it was the very idea of race play that had always deferred my BDSM dream. I can assure Langston Hughes that my fantasy indeed “dries up like a raisin in the sun” (along with my vagina) after hearing about a picaninny fetish.

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Luckily, one can experience and engage with BDSM without incorporating race play.

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“It was a long path of reconciliation for me,” Jones said. “But some of the language of BDSM like ‘master’ and ‘slave’ has existed since before black people were enslaved. Most relationships have a dominant and submissive dynamic to them, particularly in religious communities, which many black people are a part of.”

There are endless explanations of why people, black or not, are into BDSM. Sex and relationship expert Celeste Hirshman told me our fantasies “are an unconscious attempt to soothe ourselves around challenging experiences that we’ve had or positive experiences that we’ve missed out on.” Others, like notable black kinkster Craig Fleming, suggest that one’s proclivities have to do more with nature than nurture, and although “people can use [BDSM] as a way to come to terms with a particular experience…it’s not therapy. It’s not the place to work out racial issues, or abuse.” Sometimes it’s as simple as: What arouses you arouses you.

For me, it’s more about exploring power dynamics. Before the “master” debacle, Ted rhetorically asked me, “Why does a strong, assertive, powerful woman such as yourself enjoy being submissive? Is it because you can let go of control? Because you don’t have to worry, or take care of someone?” His hunch may have been right. I was able to experience a type of attention and care that led to unbelievable pleasure. I felt freedom in moments of not having to be the decision maker, nurturer, or advisor.

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“The key elements in BDSM is developing that trust in relationships,” Jones said.

For me, trust is the most arousing thing of all, and seeing a partner respond and adapt to a voiced need is one of the most important things in building trust with a partner. The experience taught me more about my limits and desires and how to communicate them. So even though it didn’t go the way I expected, I have hopes for exploring more kinky play in the future. As for, you know, the slavery stuff: Knowing that one can separate race play from BDSM gives me peace of mind. I realize now I can’t engage in anything that conjures up those images without getting angry or turned off. So for now, my safeword might just have to be “Harriet Tubman.”

*Daniel’s name was changed to protect his privacy.

Luna is a comic, writer, and activist who is the host of comedy talk show, Live Sex SF and the creator of the comedic app, EquiTable. Get all the Luna you can handle at LunaIsFunny.com and follow her on Twitter @LunaisAmerica.

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